I knew this would happen. Once I started publishing my film criticism at In Review Online, this space slowly shriveled. It's not dead yet, but I haven't posted anything since October 20th of last year, and while those of you who wanted to follow me over
Had a nice busy month over at In Review Online! First up, Ne Zha 2 - Technically an August release, but I haven't shared my review until now. The movie is worth a look, particularly if you're interested in how blockbuster cinema is shaping up in
I'm lucky to say it's been a busy month for me, publishing-wise. I've got two more reviews up at In Review Online and short story published in Unlikely Stories Six. First, the story. I wrote "Yerushah" last fall to reckon with my
My first contemporaneous review for In Review Online!
As you can no doubt tell, I've been writing in this space less frequently as of late because I'm publishing at In Review Online. I intend to update it regularly with pointers to work not hosted here, and I will also continue to publish more personal
I wrote about this extraordinary movie for In Review Online to commemorate its 20th anniversary.
On A Minecraft Movie and a Future of Media Team, It’s a hit! This opening weekend, movie-going audiences dug into A Minecraft Movie, making it the no. 1 film in the U.S. and 75 global markets, bringing in an impressive $313.7 million – the largest domestic opening weekend
"What's that say? Oh, um . . . it's Latin for From Small Things We Aspire Toward the Great." -- The Woman with Red Hair I listen, with alarming regularity and alacrity, to the podcast The Town. It's delicious junk food, and, as someone who&
Growing up, December and January held the distinction of best and worst months in moviegoing, respectively. For a few reasons, these distinctions have melted away. The first of which is simply the disintegration of something called the movie calendar altogether. Traditionally, at least from my layperson's POV, the
(Spoilers) Overture Let’s, for a moment, set aside the hysterics, the histrionics, and the hyperbole. Let’s imagine that The Brutalist hasn’t been met with a response equal in rapture to Dark Side of the Moon playing backwards in your veins, with claims not unlike Ignatiy Vishnevetsky’s
I like the serial format, generally; I like what can be done with it to build suspense, to enhance mystery, and to deepen the psychological interiority of a particular work's characters. Crime & Punishment was published serially, for example. The format seems to behoove crime stories, but even
A who’s who of extreme cinema lions hiding in the shadows here: Noe, Cronenberg, Lynch, Easton Ellis/Harron, Von Trier, Argento, and I’m sure I’m neglecting a few more. This shouldn’t work; it’s never worked for me before: arthouse horror sucks. But Fargeat snuck a